![]() We know its tonic is Dm, based on the ii of the C major scale. ii, iii, IV, V) being "home" and the relationship between the chords being played around that degree.įor example, take D Dorian. This is determined by both the feeling of another degree (e.g. In a way, the biggest challenge for understanding modal progressions is knowing when a major or minor key doesn't resolve around the more common I or vi of the scale. This means the progression will typically begin or feel at rest on one of these other degrees. ![]() But we can also have a "Dorian tonic", built on the ii of the scale. Most often it'll be Ionian ( I) or Aeolian ( vi), the natural (and strongest) major and minor key centers. With a modal progression, one of the degrees of the parent scale becomes the tonic. The tonic of a progression can also be thought of as the "home" chord, or the center around which a movement or progression resolves. My chord progressions section will help you with this. Get to know the harmonised major scale sequence in all keys first, then identifying modal progressions will be a lot easier. So all we're really doing is harmonising the appropriate major (parent) scale in chord form and identifying one of its degrees as the center/tonic of our modal progression. This is how we'd get the chords for our modes G Ionian, A Dorian, B Phrygian, C Lydian, D Mixolydian, E Aeolian and F♯ Locrian.
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